家里多点绿,生活才过得去

设计师会如何设计自己的家?即便让设计师来回答,同样也是个亘古的难题。对于耿波来说,无设计便是最好的设计,让所爱之物在空间中自然生长,与人串联起往昔岁月里的故事,才鲜活有温度。

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The Owner & Designer

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耿波,元禾大千设计顾问兼合伙人,毕业于四川美术学院,从事软装设计十余年,风格热情多变。

耿波的日常工作便是穿梭往来于全球各地,为满足瞬息变化的市场需求,去捕捉最新鲜的设计趋势和艺术灵感。然而回归自己家的设计,这些“套路”却不再适用,“家,不用刻意设计和安排,一切都应该是自然而然。”

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设计师耿波的家立面图



一楼:客厅&餐厅&厨房

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“设计一个家的空间,就是给我的所爱一个合适的居所。” 耿波迷恋空间感所带来的自由、可变和探索,眼前这座开阔的立方体来自两套被完全打通的相邻挑高跃层单元房,厨房、生活阳台、楼梯和客卫这样的功能空间被藏在了立方体的两边,从而最大程度地保留了空间的开敞规整。

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入口处,一张Loewe与面料大师John Allen合作的艺术沙滩挂毯《迷路小狗》,很容易将你带回遥远的英国郊外,捉摸不定的风雨和清丽的山野风光,“我想要的就是有趣多变的空间,既明亮开阔,又不会被一眼看穿那么无聊”,这种自由感从入门的那一刻便徜徉开来。

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餐厅,灰色Bold 座椅来自Moustach, 拼色咖啡椅来自Fritz Hansen。

入户后便能看到餐厅以及挑高的跃层空间,细碎多变的水磨石材质与精致的绿色烤漆板奠定了空间的时髦基调。

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Hyatt Centric的完美体验,让他决定将酒店黑白格家具的特色运用到厨房吧台的棋盘底座。

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厨房依据屋主使用习惯分成了封闭和开放的两个空间,可兼顾中西两种烹饪习惯,吧台为特别定制,玻璃陈列柜Open Wind来自Cattenlan Italia。

因为工作的特殊性质,耿波的日常便是穿梭往来于全球各地,这让耿波的灵感不断被激活,发现喜欢的材料或者元素就会忍不住想带回家,满世界地想办法去找,于是耿波的这个家一直被细细地打磨着,在边做边改中不知不觉装修了整整一年半的时间。

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客厅羊毛摇椅来自Baxter ;彩色鱼骨拼茶几来自Moroso ;Orbital 落地灯来自Foscarini,由Ferruccio Laviani 所设计。

材质和色彩在空间上被发挥到了极致,大面积介于孔雀蓝和翡翠绿之间的浓绿色串联起厨房和会客空间,又通过在细微的水磨石纹理和烤漆质感上稍作区别,搭配黄铜装饰线,让空间的皮和骨都更为硬朗,视觉上的柔软和温度则依靠造型更为圆润的家具来打造。

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泡泡沙发来自Roche Bobois罗奇堡;千鸟格扶手椅为Frank Chou Design Studio 与HC28 的合作作品;老虎形毯来自Moustach。

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客厅的吊顶被重新返工,将原本已经做好的圆形射灯全部换成了酒店同款的LED条形灯。

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楼梯下方的鸡肋斜面空间被很好地利用做客卫,Cole&Son 与Fornasetti 合作的壁纸也让这个特殊的角落多了一丝神秘感。



二楼:卧室&衣帽间&卫生间

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走廊处的Eames 休闲椅来自Vitra 。

浓绿色和黄铜线牵引你步入二楼耿波私人的玻璃盒,一道可以纵观餐厨和客厅的连廊给予慢慢转换身份的时间。这里囊括了耿波休息、洗浴和储物的功能需求。结构上同样为了光线做出搭建上的牺牲,让客厅正上方完全挑高留白,同时采用玻璃作为二楼所有的内部墙体。

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2019年限量版Tribute 床来自Hastens ;床头挂毯来自柏林插画艺术家JonathanNiclaus。

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二楼作为卧室和储物空间被打造成半开放式的玻璃盒子,满足了屋主对通透和自由的要求,视线得以在整个空间中游走。

旅行既是工作,也让他的恋物情结有了释放的出口。那时、那地、那人的种种变成一件件实在的小物被带回家来——去箱根看红叶,在美术馆收获一只手绘粗陶杯;去柏林过新年,Soho House里一眼相中的咖啡壶;东京二手店淘来的茶壶是意料之外、也是情理之中;在巴黎大名鼎鼎的圣图安市场上偶遇的古董灯,不知道怎么托运,忍了又忍最后依然无法割舍……“那些年蚂蚁搬家一样的收藏”为耿波带来了持续不断的兴奋感,也无意中让老家沦为了仓库,于是才有了新家的落成。

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卫生间沿用了楼梯的水磨石,黄铜被赋予了更多的装饰语言,空间通过材质进行串联。耿波对摩登和波普的偏爱,更是极大地影响了他对艺术品的选择,因此空间中还能随处见到如平衡装置这般色块化的艺术品……

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冷翡翠大理石围包住整个浴室,于这里结束一天,在氤氲雾气中回味从世界带回来的美。

耿波最终让自己的所爱都住进了这个视线能够自由流动的玻璃盒子里,家成了他私人的收藏馆、个人审美战利品的小小展览室,变成一个巨型容器承载和记录他的过往点滴。在他看来,这些物件所串联起来的故事和记忆,就是他对家最鲜活的想象。


如何打造耿波风格的家?

a.打通空间,与光线共舞

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耿波的家,最富魅力的便是他用“玻璃盒子”的概念以及牺牲结构最大化地挑高垂直空间,让光线在整个房子里都流动起来。如果你也是个“追光”之人,不如就学学他,打开那些冗重的墙面。

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刘恺在为好友Alex一家改造这栋3层住宅时,为了将阳光引入建筑,几乎重新构建了房屋的基础结构。他将原本的楼梯拆除,将天窗打开,让天井的光线通过3层落地窗贯穿建筑北侧。

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艺术家吴笛笛的家几乎与光线共存,下沉庭院的设计、大面积的落地玻璃窗……让她一日只能就能感受到不同角度和温度的光影魅力,同时也改变了老宅地下空间原本阴暗、潮湿的属性;而在材质上尝试空洞、条纹的设计,则让光影更富有趣味和变化。


b.混搭材质,让空间富于变化

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水磨石的魅力,在耿波的家里也再次被印证,虽然已经是当下的“网红”材料,只要学会适当与其他不同质地和纹理的材料进行混搭,也有重新焕发新生的潜力。

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印度设计师Kunaal Kyhaan Seolekar 娴熟运用具有独特纹理的大理石和天然材料,建造出这座不同寻常的宏伟宅邸。而镶嵌着珍贵宝石的水磨石地面,更让这间隐匿于花园中的居所仿佛被施了魔法般,叫人惊叹。

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设计组合Toro & Liautard在这个公寓里尝试了大量的材质混搭,黄铜、玻璃、陶瓷、意大利大理石、仿金色皮革纸装饰……他们将19世纪末“新艺术主义“所强调的“简化装饰”以及“艺术、设计与材料的有机结合”,应用于历史建筑的室内设计中。


摄影 | 朱海文、编辑 | 孙佳慧
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